Great new single from Swansea Sound! Screw you AmelElon! 😜
Catch Swansea Sound opening for Heavenly this week on their West Coast tour!
Tuesday, October 15, 2024
Monday, October 14, 2024
Sunday, October 13, 2024
Saturday, October 12, 2024
Friday, October 11, 2024
Thursday, October 10, 2024
Wednesday, October 9, 2024
Tuesday, October 8, 2024
Scott Matthew - All the Lovers
Much love for this cover of the Kylie classic by one of my favorite vocalists, Scott Matthew! That voice can sing me anything!!
Monday, October 7, 2024
Sunday, October 6, 2024
Saturday, October 5, 2024
Friday, October 4, 2024
Red Sleeping Beauty - Could Have Been Me
Sometimes you hear a song for the first time and you immediately say, "Add it to my Best of the Year list!" Red Sleeping Beauty's October song of the month is Perfection! I only want it to be longer so I can dance longer! Synth punches straight to my heart! REPEAT!! Featuring vocal duties from Acid House Kings' Julia Lannerheim. My new favorite of the bunch!
Thursday, October 3, 2024
Fotonovela - Justice (feat. Sarah Blackwood)
It's been over 10 years since Fotonovela's excellent album "A Ton of Love" was released. I still love hearing tracks from it pop up on my randomizer. This one played a few days ago when I was preparing dinner and made me very happy! Featuring the lovely vocals of Dubstar/CLIENT's Sarah Blackwood!
Wednesday, October 2, 2024
Tuesday, October 1, 2024
Sassyhiya - Boat Called Predator
Sassyhiya is the latest addition to Skep Wax Records and are set to release their debut full-length on November 8th! The album is called "Take You Somewhere" and based on the couple tracks we've heard so far, it's going to be a jangly, indie pop dream!
And here's info the the album's press release!
Sassyhiya want to take you somewhere. The journey starts in Kathy and Helen’s flat in South London. Sit down, close your eyes, and immerse yourself... You are on your way to a musical rainforest a long way from Camberwell.
Explore your new surroundings, and you will find beautiful pop blooms like Let’s See What We Can Find, as bright and vibrant as The Sundays, thrusting their colourful faces up from the forest floor. You’ll find tangles of sharp-edged guitar, as if Swiss she-punks Kleenex had been left to evolve here in the rich fertile soil (I Had A Thought). You’ll find dark pools full of lyrical complexity, deceptively deep and immersive, with shimmering reflections of The Go-Betweens (Perennial). And you’ll come across delicate love songs, creeping up the trunks and branches of the bass and drums, displaying their fragile beauty (Thank You And Goodbye). And what’s that exotic striped animal prowling through the undergrowth? Actually, it’s Crayon Potato, Sassyhiya’s pet cat, the other resident of their flat in South London, taking up her role as the feline star of a lilting, singalong anthem written in her honour.
That’s what is so great about this album. You are somehow, simultaneously, exploring the most exotic forest in the world while also sitting in a flat in an ordinary, familiar English street with Sassyhiya and their cat. This album transports you without pretending the real world doesn’t exist: it doesn’t get all mystical on you (Take You Somewhere is as unlike Enya as anything you’ve heard). Sometimes you might be reminded of Girls At Our Best, and then Delta 5. You might even, on occasion, think of Echo and the Bunnymen.
The album opens with their single, Boat Called Predator: an appropriate start, inviting you to embark: insistent, almost ominous, but with a siren call of a chorus that means you can’t go back. The first single, Kristen Stewart, is here too: a bold love song to a queer icon, affirming Sassyhiya’s status as the queens (and kings) of a thriving queer indiepop scene. It’s joyous and it’s life-affirming. There are other love songs here too, like the jokey, wonkily flirtatious Puppet Museum. The album ends with You Can Give It (But You Can’t Take It) - a proper anthem of defiance, gently but insistently taking down the bullies and reactionaries who trample over beauty and diversity: the kind of people you might, unfortunately, bump into as you make your way back onto the streets of South London.
And here's info the the album's press release!
Sassyhiya want to take you somewhere. The journey starts in Kathy and Helen’s flat in South London. Sit down, close your eyes, and immerse yourself... You are on your way to a musical rainforest a long way from Camberwell.
Explore your new surroundings, and you will find beautiful pop blooms like Let’s See What We Can Find, as bright and vibrant as The Sundays, thrusting their colourful faces up from the forest floor. You’ll find tangles of sharp-edged guitar, as if Swiss she-punks Kleenex had been left to evolve here in the rich fertile soil (I Had A Thought). You’ll find dark pools full of lyrical complexity, deceptively deep and immersive, with shimmering reflections of The Go-Betweens (Perennial). And you’ll come across delicate love songs, creeping up the trunks and branches of the bass and drums, displaying their fragile beauty (Thank You And Goodbye). And what’s that exotic striped animal prowling through the undergrowth? Actually, it’s Crayon Potato, Sassyhiya’s pet cat, the other resident of their flat in South London, taking up her role as the feline star of a lilting, singalong anthem written in her honour.
That’s what is so great about this album. You are somehow, simultaneously, exploring the most exotic forest in the world while also sitting in a flat in an ordinary, familiar English street with Sassyhiya and their cat. This album transports you without pretending the real world doesn’t exist: it doesn’t get all mystical on you (Take You Somewhere is as unlike Enya as anything you’ve heard). Sometimes you might be reminded of Girls At Our Best, and then Delta 5. You might even, on occasion, think of Echo and the Bunnymen.
The album opens with their single, Boat Called Predator: an appropriate start, inviting you to embark: insistent, almost ominous, but with a siren call of a chorus that means you can’t go back. The first single, Kristen Stewart, is here too: a bold love song to a queer icon, affirming Sassyhiya’s status as the queens (and kings) of a thriving queer indiepop scene. It’s joyous and it’s life-affirming. There are other love songs here too, like the jokey, wonkily flirtatious Puppet Museum. The album ends with You Can Give It (But You Can’t Take It) - a proper anthem of defiance, gently but insistently taking down the bullies and reactionaries who trample over beauty and diversity: the kind of people you might, unfortunately, bump into as you make your way back onto the streets of South London.
Monday, September 30, 2024
Sunday, September 29, 2024
Saturday, September 28, 2024
Friday, September 27, 2024
The Cure - Alone
This is pretty...and pretty depressing!! The Cure's "Songs of a Lost World" is FINALLY coming, Nov 1st!!
Thursday, September 26, 2024
Wednesday, September 25, 2024
The Tamperer (feat Maya) - Feel It
No idea why this randomly appeared in my feed a couple weeks ago but I'm so glad it did! Top of the Pops awesomeness! When Toto goes flying, I die!
Tuesday, September 24, 2024
Kate Pierson - Radios and Rainbows
Kate Pierson released her latest solo album last week and here's the title track! I will never tire of this voice!
Monday, September 23, 2024
Sunday, September 22, 2024
Saturday, September 21, 2024
ionnalee - the end of every song
I almost forgot a post for today so let's just post my favorite track from ionnalee's latest album "CLOSE YOUR EYES"!
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